12/4 Vladimir Feltsman @ Carnegie Hall
I can’t imagine what it would be like to give a solo recital. It’s one thing when your part of an orchestra or even the soloist in a concerto-at least the attention is difused a little. But when you’re a soloist, its just you, that piano, and over 2000 people who need to be captivated and entertained. On Friday Vladimir Feltsman was up to the challenge, drawing the audience into his performances of Schubert and Liszt Sonatas. Feltsman’s interpretations brought out the lyricism of each piece, instead of turning them into vehicles to show off his technical prowess (cough, Lang Lang, cough), which I enjoyed. The highlight of the night was definetely the Lizst Sonata in B minor, the last work on the program. Feltsman brought a collected presence to this work, showing off strong voicing and play between both hands. The virtuosic passages were played with piazazz, while the beautiful melody of the second movement sounded beautiful. The emphatic recapitulation at the end of the piece was as dramatic as Lizst coul have wished. A lovely encore of Lizst’s Liebestraum No. 3 finished the night off just right.